Subscribe
now! It's Free!
Join over 4,100
contacts who get:
 > invited
to The Circle,
RPD's educational and
networking seminars
> Behind The Limelight,
his free newsletter
of legal tips and news
> invited to his other industry
events
Check it out
> The
next meeting of The Circle Manhattan
> The next meeting of The Circle Long
Island
> The current issue of Behind
The Limelight
> Other issues of
Behind The Limelight
> List of The Circle's industry
speakers
> Photos and videos
from past Circle meetings
You can unsubscribe at any time and
your e-mail will not end up on other lists. |
|
Top Five Requested Services
> Phone
Consultations
> Business
Formation
> Contract
Preparation, Review & Negotiation
> Copyright
and Trademark
> Continuous
Legal Representation |
|
Want to contact RPD?
Send an e-mail
for a faster response. |
|
Make Music, Make
Money
Written by Richard
P. Dieguez, Esq.
 >
Learn how money is
made in publishing.
> Sample clauses and contractual
language.
> Over 100 illustrated
pages and sidebars.
>
Written by RPD from
years of experience.
Buy
the workbook
Buy the CDs
More info
$30.00 Includes
shipping and handling |
|
Celebrity Photo
Archives
Snapshots of RPD, clients, friends
and others he's met
over the years |
|
The Buzz about RPD and The Circle
> from the industry
>
from the creative community |
|
Quick Facts
About RPD
> Advises clients of
all genres: Pop, Hip Hop,
Dance, Rock, R&B, Jazz, Gospel, World, etc.
> Recipient of several
Gold and Platinum
Records from clients
> Has 5 years experience
managing artists
on major labels, an important insight
he
brings when advising legal clients
> Listed in nine Who's
Who directories
> Graduated in 1985
from NYU Law School,
one of the top schools in the country
> Taught 3 semesters
of Entertainment Law
at New York City's Baruch College
> Admitted to the U.S.
Supreme Court |
|
Personal Injury,
Criminal...
E-mail
RPD if you need to be referred to a
lawyer who handles general
legal matters
such as personal injury,
medical malpractice,
criminal defense, patents,
immigration,
workers compensation, etc. |
|
Books
Referring To RPD
The
Real Deal: How to Get
Signed
to a Record Label
by Daylle Deanna Schwartz
Managing
Artists in Pop Music:
What
Every Artist and Manager
Must
Know to Succeed
by Mitch Weiss and Perri Gaffney |
|
The
Music Mogul's Library
Learn more to earn more
> Enter the library
> All books recommended by RPD
> Your purchases help
support The Circle |
|
Hot
Links
Some interesting sites
you might want to check out |
|
©
2008 Richard P. Dieguez, Esq. All rights reserved
Legal
Notice and Disclaimer
Portions of this website may be considered
ATTORNEY ADVERTISING in some states. |
|
|
|
Robert McVeety |
|
|
|
|
|
Robert McVeety has been in music publishing
for over 12 years. Cutting his teeth with Cherry Lane Music,
he started as a royalty clerk and in a few years worked his way
up to Assistant to the Vice President and General Manager. He
worked with prominent songwriters such as John Denver, Irving
Burgie ("Day-O"), Tom Paxton, Christine Lavin, Jose
Feliciano, Julie Gold ("From A Distance"), Maury Yeston
(Nine) and Frank Wildhorn ("Where Do Broken Hearts Go,"
Jekyll & Hyde). |
|
|
|
|
|
McVeety went on to spend almost 6 years
with EMI Music Publishing where he was the Director of Foreign
and Domestic Tracking. He was involved with the publishing affairs
of Sean "Puffy" Combs (P.Diddy), Aerosmith, Rodney
Jerkins, Chip Taylor, Enrique Iglesias, Dallas Austin, Lit, Matchbox
20, Jimmy Jam & Terry Lewis, Billy Joel, Stevie Wonder, Jimmy
Webb and many others. McVeety was responsible for business strategy
development and overseeing royalty collections and analyses. |
|
|
|
|
|
Resigning from EMI in June 2000, McVeety
started his own music company, Bobby Mack Entertainment Group,
where he is involved in artist management, consulting and, most
prominently, music publishing for local, independent songwriters. |
|
|
|
|
|
McVeety has lectured on music publishing
at Purchase College and NYU, and he is a member of National Academy
of Popular Music/Songwriters' Hall of Fame, Association of Independent
Music Publishers, and Association for Independent Music. He also
runs a free, monthly songwriters seminar (S.E.I.C. Seminars)
taking place at ASCAP. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
