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Make Music, Make
Money
Written by Richard
P. Dieguez, Esq.
 >
Learn how money is
made in publishing.
> Sample clauses and contractual
language.
> Over 100 illustrated
pages and sidebars.
>
Written by RPD from
years of experience.
Buy
the workbook
Buy the CDs
More info
$30.00 Includes
shipping and handling |
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Celebrity Photo
Archives
Snapshots of RPD, clients, friends
and others he's met
over the years |
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The Buzz about RPD and The Circle
> from the industry
>
from the creative community |
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Quick Facts
About RPD
> Advises clients in
all facets of the
entertainment industry and in all genres
> Recipient of several
Gold and Platinum
Records from clients
> Has 5 years experience
managing celebrity
talent, an important insight he brings
when
advising legal clients
> Listed in nine Who's
Who directories
> Graduated in 1985
from NYU Law School,
one of the top schools in the country
> Taught 3 semesters
of Entertainment Law
at New York City's Baruch College
> Admitted to the U.S.
Supreme Court |
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Personal Injury,
Labor Law...
E-mail
RPD if you need to be referred to a
lawyer who handles general
legal matters
such as personal injury
and medical malpractice;
workers compensation, labor, employment and
workplace issues; criminal;
immigration, etc. |
|
Books
Referring To RPD
The
Real Deal: How to Get
Signed
to a Record Label
by Daylle Deanna Schwartz
Managing
Artists in Pop Music:
What
Every Artist and Manager
Must
Know to Succeed
by Mitch Weiss and Perri Gaffney |
|
The
Music Mogul's Library
Learn more to earn more
> Enter the library
> All books recommended by RPD
> Your purchases help
support The Circle |
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Hot
Links
Some interesting sites
you might want to check out |
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Notices
Statement of Client's Rights
Legal
Notice and Disclaimer
Portions of this website may be considered
ATTORNEY ADVERTISING in some states.
© 2011 Richard P. Dieguez, Esq. All rights reserved |
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Catherine
Moore |
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Do you really want to learn about
the music industry? Then come hear a top educator with real-world
experience who teaches strategic marketing/management and genre
evolution/A&R at one of the country's most prestigious institutions.
Professor Moore will also be prepared to discuss cutting-edge,
practical and career-building topics such as: |
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1. the commercialization and digitalization
of music (Professor Moore's essay on this subject will appear
in a book to be published later this year) |
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2. how to accurately identify the products
and services that are competitive with music industry products
and services |
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3. what you can learn in a music business
program to prepare yourself for a career in the music industry |
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In 1981, Catherine Moore began managing
a retail store in Liverpool, England. Since then, she has
been Sales Manager for Harmonia Mundi Records (London), International
Marketing Manager for Nimbus Records (Wales), and a Marketing
Director for A&M Records (New York). She started her
consultancy business in 1990 and worked on strategic management
and marketing issues for American, Canadian, and British clients. |
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Professor Moore came to NYU in 1995, where
she is the Program Director of its Music Business Program (graduate
and undergraduate). NYU is one of the few institutions
in the U.S. to offer a bachelor of music in the music business
field. Professor Moore's many successful candidates are
highly motivated and prepared to take advantage of a professional
program set in the world's music business capitol, which includes
an interactive classroom atmosphere, internships, participation
in the program's record company, the NYU concert program board,
radio station WNYU, and its Music Business Association. |
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A graduate of Bishop's University, Canada,
and the Conservatoire de Musique in Montreal, Professor Moore
completed a Ph.D. in musicology at The University of Liverpool,
England, in 1991. Her doctoral thesis was published
as a book, she contributes record and concert reviews to American
Record Guide, and she has been commissioned to write for the
Revised New Grove Dictionary of Music. |
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Her past and present professional affiliations
include NARAS Board of Governors, the Classical Screening Committee
for the Grammy Awards, International Association of Business
Communicators, Royal Musical Association, American Musicological
Society, and Association for Recorded Sound Collections. |
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