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Make Music, Make
Money
Written by Richard
P. Dieguez, Esq.
 >
Learn how money is
made in publishing.
> Sample clauses and contractual
language.
> Over 100 illustrated
pages and sidebars.
>
Written by RPD from
years of experience.
Buy
the workbook
Buy the CDs
More info
$30.00 Includes
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The Buzz about RPD and The Circle
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>
from the creative community |
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Quick Facts
About RPD
> Advises clients of
all genres: Pop, Hip Hop,
Dance, Rock, R&B, Jazz, Gospel, World, etc.
> Recipient of several
Gold and Platinum
Records from clients
> Has 5 years experience
managing artists
on major labels, an important insight
he
brings when advising legal clients
> Listed in nine Who's
Who directories
> Graduated in 1985
from NYU Law School,
one of the top schools in the country
> Taught 3 semesters
of Entertainment Law
at New York City's Baruch College
> Admitted to the U.S.
Supreme Court |
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Personal Injury,
Criminal...
E-mail
RPD if you need to be referred to a
lawyer who handles general
legal matters
such as personal injury,
medical malpractice,
criminal defense, patents,
immigration,
workers compensation, etc. |
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Books
Referring To RPD
The
Real Deal: How to Get
Signed
to a Record Label
by Daylle Deanna Schwartz
Managing
Artists in Pop Music:
What
Every Artist and Manager
Must
Know to Succeed
by Mitch Weiss and Perri Gaffney |
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The
Music Mogul's Library
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Hot
Links
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you might want to check out |
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©
2008 Richard P. Dieguez, Esq. All rights reserved
Legal
Notice and Disclaimer
Portions of this website may be considered
ATTORNEY ADVERTISING in some states. |
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Jenny Toomey |
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The Coalition for The Future of Music is
an activist group and think tank devoted to helping independent
artists during music's digital revolution. |
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If you're a musician and you'd like fans
to be able to contribute money to you for your MP3s, how do you
make that possible? The Coalition has suggested several
options that can be implemented now, while they continue to lobby
for reform and conceive of new ideas for debate and discussion. |
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As their manifesto points out, musicians
have had little to say about the manufacture, distribution and
promotion of their music and have lacked fair support and compensation
for their work. |
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Why? Because the manufacturing and
distribution of over 90% of music is concentrated in the hands
of only four labels! With huge media mergers continuing
to consolidate the decisions of what to play and promote, it
becomes more and more difficult for artists to gain exposure
through the few remaining coveted radio spots. |
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The good news, explains Ms. Toomey, is that
digital music technology is loosening this stranglehold by offering
musicians a chance to distribute their music with minimal manufacturing
and distribution costs and with immediate access to an international
audience. The bad news, she continues, is that these
technologies have not yet substituted new payment structures.
As the technologies advance, the traditional revenue streams
which compensate musicians (like mechanical royalties), become
increasing threatened. |
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With 20 years of industry experience as
an indie musician and label owner, Jenny Toomey has a broad understanding
of the issues facing independent musicians today and a deep commitment
to their interests. She is a board member of The Low
Power Radio Coalition and an active writer on music and internet
technology issues. |
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